story: In 1858, in Texas, the former German dentist Dr. King Schultz meets the slave Django in a lonely road while being transported by the slavers Speck Brothers. He asks if Django knows the Brittle Brothers and with the affirmative, he buys Django for him. Then Dr. Schultz tells that he is a bounty hunter chasing John, Ellis and Roger Brittle and proposes a deal to Django: if he helps him, he would give his freedom, a horse and US$ 75.00 for him. Django accepts the deal and Dr. Schultz trains him to be his deputy. They kill the brothers in Daughtray and Django tells that he would use the money to buy the freedom of his wife Broomhilda, who is a slave that speaks German. Dr. Schultz proposes another deal to Django: if he teams-up with him during the winter, he would give one-third of the rewards and help him to rescue Broomhilda. Django accepts his new deal and they become friends. After the winter, Dr. Schultz goes to Gatlinburgh and learns that Broomhilda was sold to the ruthless Calvin Candie von Shaft, who lives in the Candyland Farm, in Mississippi. Dr. Schultz plots a scheme with Django to lure Calvin and rescue Broomhilda from him. But his cruel minion Stephen is not easily fooled
2h 45min
USA
genres: Drama
Tomatometers: 8,7 of 10
Quentin Tarantino

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On the website you can look Jango-ye raha shode in good quality HD 720p for free and without any restrictions. Boy that bbw was gone I ain't neva seen a big girl run that quick. She wanted ta live. Tarentino's the only dude to not use the N word in the whole movie. Yeah, seems like a good thing to do. I love it shows the facts of how Germans respected blacks/African Americans as equals even during ww2. I like the way you die, boy great line. great movie. very moving part. love this song too. When i was high af i saw the first 45 seconds and it sounded like music, now everytime i watch this it sounds like the sheriff is doing a bit of a rap or somthin.

After reviewing the film Jango-ye raha shode You can leave your review in which you can Express a positive or negative viewing experience. BDRips comes from Blu-ray discs and are encoded to lower resolution sources (ie 1080p to720p / 576p / 480p. The film is a stupid dull un imaginative mimic imitation of the film good truant and bad. the film lacks the originality charisma and suspence of the famous films of sergio because the actors are italians and not americans. Felt like the weight of the world was on my shoulders But should I break or retreat at every turn Facing the fear that the truth, I discover No telling how, all these will work out But I've come to far to go back now I am looking for freedom Looking for freedom And to find it cost me everything I have Well I am looking for freedom Looking for freedom And to find it, may take everything I have I know all too well it don't come easy The chains of the world they seem to moving tight I try to walk around if I'm stumbling so familiar Tryin to get up but the doubt is so strong There's gotta be a winning in my bones I'm looking for freedom Looking for freedom And to find it, cost me everything I have Well I'm looking for freedom I'm looking for freedom And to find it, may take everything I have there's always been hard, so hard But if I do the thanks lase the way I won't get far Mhm, life hasn't been very kind to me lately (well) But I suppose it's a push from moving on (oh yeah) In time the sun's gonna shine on me nicely (on me yeah) Sudden tells me 'cause things are coming And I ain't gonna not believe I'm looking for freedom Looking for freedom And to find it, cost me everything I have Well I'm looking for freedom I'm looking for freedom And to find it, may take everything I have.

2:52 That's a title screen right there. Django's choice of attire symbolizes the Black man's desire to wear the brightest, flashiest shit he can find when first gaining freedom. It's more of a celebration of freedom from some long struggle than an actual preference. Much like the rappers of the early 90's. I mean who wears platinum anymore. 0:55 Seems to me that so many westerns that actually take place during slavery times have just bent over backwards to avoid it. This is why Spike Lee should not have avoided this film. I know his real problem was that it was a comedy but as Max Brooks said (quoted by his father Mel) I don't think anybody has covered slavery as acutely and as brilliantly as Tarantino did in Django. It's really covered. In other movies, it's sentimentalized, it's emotionalized, it's romanticized, but Quentin nailed slavery just for what it was. It's horrendous and he did it.

If I had to sum up Django Unchained in one word, it would be outrageous. It is wild, over the top, often bordering on insane, and an incredible amount of fun. It's seventies blaxploitation on steroids, but with A-list acting, direction, and production values. This movie does for blaxploitation and spaghetti westerns what Kill Bill did for Kung-fu, and also manages at times to be a serious examination of slavery.
Django unchained features one of the least subtle openings ever put on film; a montage of shackled, half naked slaves trudging across desert and mountain, prodded on by their overseers as a sappy country-esque balled laments Djangos fate. This is immediately followed by a scene in which a German doctor driving a wagon topped with a spring mounted tooth inquires about purchasing Django, shoots the overseers when they prove less than friendly, calmly completes his transaction with the man he has just severely wounded, and offhandedly suggests that the other slaves might now be able to kill their master and escape. This will set the tone for what's to come.
T he acting here is exceptional, and the actors obviously loved (nearly) every minute of their work. Jamie Foxx puts in his best work in years as the titular hero. He undergoes a full transformation from wide-eyed, bewildered slave to badass bounty hunter, effortlessly shifting between action, drama, and comedy as needed. On the strength of this performance he will likely be the gold standard of coolness for blacks everywhere, a latter day Shaft.
Christopher Waltz is less varied but no less effective as the genteel assassin Dr. Waltz. He's delightfully eccentric, with a fastidious manner and flair for sarcasm and veiled insults that gives him an uncanny aura of young Mel Brooks. Leonardo Dicaprio meanwhile is the perfect villain. Sophisticated, charming, arrogant, and an utter psychopath, he's the kind of man makes you want to punch him in the face. And Samuel L. Jackson is utterly priceless as the most rabid example of Uncle-Tomism imaginable. I don't know how he kept a straight face while reciting his lines.
And there ever some great lines in this movie. Terantino's way with words is as strong as always, are there are numerous quotable lines, I'm especially intrigued by his use of the N-word. With somewhere north of 200 uses of this epitaph, this movie probably sets some kind of record. But what's more interesting than it's pervasiveness is how it's used. Characters hurl it as an insult, direct it playfully at friends or themselves, or use it casually to refer to anyone with dark skin. It's used as a noun, an adjective, and as punctuation. Depending on the circumstances, the use of the N-word can evoke laughter, inspire hatred for the character uttering it, or pass almost unnoticed. It's used so often and in so many ways that it becomes an integral part of the film's texture and doesn't even seem shocking after the first few minutes.
Extreme violence is as big a part of this film as coarse language, and one of its main selling points. Tarantino has long been an expert at creating beautiful, highly stylized combat and at using graphic violence for shock value and comedic effect, and he uses it here for all of these purposes. There are drawn out slow motion gunfights in which bullets strike bodies again and again, producing red geysers that spatter the fighters and their surroundings. And then there are shooting happen so quickly that the bad guys are lying dead before you realize what's happened.
There are points where the heroes casually kneecap their enemies while losing wisecracks, or where calmly carry on conversations while tracking their targets, with the gunshot providing humorous punctuation their sentences. It's shocking, over the top, and oft hilarious, just as with all his films. But this time around Tarantino has also used violence for another purpose: to highlight the evil and brutality of slavery.
Besides the standard whippings there's a scene of Mandingo fighting, a blood sport in which slaves fight to the death, and later we see a man torn to shreds by dogs. These parts are even more shocking than the infamous ear scene in Reservoir Dogs, and not in a way that's beautiful, entertaining or titillating. They are disturbing and incredibly hard to watch, and are intended to be. Because they are meant as a powerful reminder of the inhumanities that the slave trade bred. This is certainly more brutal than was the norm, but such things did happen.
This is a great movie. It's well acted, action packed, exciting, and frequently hilarious, as in a side splitting discussion of the logistics of lynch mobs. It can be absolutely nuts one moment and mournfully serious the next without missing a beat. It's Roots meets Boss N. r in a way that only Quentin Tarantino could pull off. Django Unchained may or may not be the best movie of 2012, but it's the most fun you'll have in theaters all year.

Seriously, no one could've portrayed Django as good as Jamie Foxx. Django showed restraint, considering the filthy demons he had to execute. Friends, you can watch Jango-ye raha shode online for free. He blowed up REEEEAAAL good. Makes me cry. <3 Thanks Tarantino. Great dialogue.